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January 4th, 2008

About Me [Jan. 4th, 2008|04:21 pm]
Jackie

- I'm twenty-one, an English Major, and kind of a nerd.

- Eight years of RP experience, and six of moderating experience.

- I'm on East Coast time. On most nights, though, I'm a night owl, so I have no problem interacting with other US time zones. I'll make anything work, though. I once spent a year working around a seven-hour time difference.

- However, as I am a full-time college student with a lot on my plate, please don't be surprised or offended if there are times when I can't play. This is why I prefer threading over AIM. Sometimes I'm not able to stay online for long chunks of time, but I'll always be able to reply to a thread. (Or an email/PM round robin.)

- Currently, I'm only accepting threading lines. This may change in the future, but as I'm going to be a full-time student and part-time caretaker of my goddaughter, this fall, I really don't have the concentration for AIM.

- Communities or PSLs are fine. I prefer communities.

- Normally, I play guys. I feel I'm better with them than with women, but I'll play both. I'll also play het, slash, or femmeslash.

- I've written a lot of smut in my life, but I'm not interested in a storyline that's all smut and no substance. In fact, unless it's crucial to character development / a line I really like, I'll probably ask that we don't play out sex scenes.

- The only thing I'm not flexible on, is "storybook style" writing. I write only in third person, for scenes, so I prefer my partner does also. But please, write sensibly. Description is fun. Flowery nonsense ("orbs" for eyes, "crescents" or what-have-you for lips) is not.
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PBs [Jan. 4th, 2008|04:23 pm]
The Played-Bys.
C = will also celeb
+ = favourite


Men
Christian Bale
Hayden Christensen C +
Johnny Depp C +
Ryan Gosling
Emile Hirsch +
Hugh Laurie
Heath Ledger +
Bam Margera C +
James McAvoy
Colin Meloy
Jared Padalecki
Adam Pascal
Gerard Way

Ladies
Amy Adams
Lily Allen +
Asia Argento
Emilie Autumn +
Kate Beckinsale
Emily Browning
Zooey Deschanel +
Kirsten Dunst
Stacy Dupree +
Becky Lou Filip
Romola Garai +
Maggie Gyllenhaal
Anne Hathaway
Scarlett Johannson
Keira Knightley
Missy Rothstein Margera +
Maria Morri
Ellen Page
Hayden Panettiere
Natalie Portman +
Liv Tyler
Rachel Weisz
Brooke White
Sheri Moon Zombie C +



The Characters.


Men
Sirius Black (Harry Potter)
Roger Davis (Rent)
Roger Davies (Harry Potter)
Wolfgang Mozart (historical)
Lestat de Lioncourt (Vampire Chronicles)
Anakin Skywalker (Star Wars)
Capt. Jack Sparrow (Pirates of the Caribbean)
Tristan Summerby (Harry Potter)
Bruce Wayne (Batman)

Ladies
Anne Boleyn (historical)
Eleanor Branstone (Harry Potter)
Death (Sandman)
Baby Firefly (The Devil's Rejects)
Sally Jupiter / Silk Spectre I (Watchmen)
Lucy Pevensie (Chronicles of Narnia)
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Sample Journal Entries - Elijah Bell (faux celeb) [Jan. 4th, 2008|04:25 pm]

My daughter tells me there's nothing reprehensible about wearing long sleeves in Los Angeles, in May. In July, she concedes, it would be an evil thing to do. Vile. Wretched. But this tiny she is quick to remind me that it isn't even mid-May yet, and the air in this hotel is...brisk.

Despite her supposed "rationality," this vacation is only jacking up the points on the My Daughter Is Nuts metre. We've been in LA (granted, it's a half-hour plane trip from Frisco, if that. These are not exactly grueling conditions putting us under duress, here, but it is LA. I'm not a fan of LA. LA and I, you could say, have had our tiffs. The ex-wife lives somewhere around here, but that's surprisingly immaterial to the problem. The people in LA nauseate me more than the people anywhere else. It's a terrible spot for a vacation, especially with children. Disgressing.) for a week. You would think, her dad being in the movie business, Eva would have seen more than her fair share of Hollywood. She hasn't. I try to keep her out of that stuff, but this year, she said she wanted to see it. She came to me, maybe a month ago, with a notebook. And she said to me, "Dad, the premiere's in a month."

Continue... )

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Sample Journal Entries - Mona Corso (OC) [Jan. 4th, 2008|04:26 pm]
Sheri Moon Zombie PB


ENTRY 1

I made resolutions, this year. Go, go, go!

1. gain 5 lbs.
2. get married (!)
3. start keep a diary
4. find a house (!)

Here we are, number three! It's January 21, a little late, but this is my diary, and in about a month...hm, I think I can tick it off the list. Let me tell you, I am the worst at keeping resolutions. And I'm a focused person! Really, I am, but something about these little New Year's lists...Work with me, lists.

I'm trying a simple one, this year. That's not cheating, is it? I guess I only have two resolutions, but putting two down would look sloppy. Is it a resolution, or a list of them? I don't know, it's two! That would be so awkward, don't you think? I can't be awkward, I have a real problem with that. It's one of my jobs, to fix that in other people. I forgive them, they can't help it, but when I catch myself not being perfect...ugh. Who is this woman, and why are they paying her? She's stammering at a pizza boy, because she forgot to get his tip out.

Continue... )

ENTRY 2

I’m such a bad mother. If I had my own children, they would be starving in the streets by now, good golly. We’ve been in LA for a week, and I still haven’t called poor Lizzie. She must be thinking I don’t love her. I need to call tonight (tomorrow at the absolute latest) and let her know we landed already.

Last weekend was such a train wreck, with Holden disappearing. Poor Lizzie and poor Holden? My gosh. It isn’t in my place to say anything about his situation, but he’s a constant presence in my thoughts. What he’s going through would be just awful at any age, but they’re all so young. When something so mixed up happens, so early, I don’t see how anybody goes about not losing faith. I meet so many tough little girls, and I don’t know how they do it. I’ve never had my heart broken. I don’t know how anyone survives the stories I hear, because weak little me would just fold.

When I look at people like Holden and Lizzie, I can’t understand why I’ve been so blessed. My mother was such a strong, supportive presence in my life (she still is!) and I can’t imagine my entire life, or even tiny parts of it, without that. What made these kids draw the straws that say they don’t get to experience that? I try to be there for Lizzie, but I’ll never be her real mom, and she didn’t do anything to deserve that space in her life. It’s a really sad thing.

Continue... )

ENTRY 3

Well, there go my resolutions. They're like cupcakes: I make them, and they look so pretty, and then they're gone in half a day. I'm really losing this fight to stop looking so unnaturally skin-and-bones, you know. Last week (I think it was last week), I came down with an oh-so-persistant stomach bug. It's a mean little thing, I can't eat anything heavier than toast without taking a detour to cough it back up. Eddie must be so tired of sandwiches, but I tell you, I cannot make a dinner that smells like a dinner, to save my life. Mama sent me a whole batch of recipes I want to put out for a test run, too. It's very depressing. I hate the doctor, I mean I'm absolutely loath to go, but if I can't eat...Well, what are you gonna do? These things happen.

I'm trying to stay positive, because there's a show coming up in a few weeks, for St. Pucci. But nothing, nothing wants to be nice right now, I swear. I had to let two of my usual girls go. Shock horror, surprise surprise, they're too skinny, too! One of them, Linda, she's a doll, and I'm keeping her on to help with the makeup for the rest of my girls, but it's really terrible. When I had to let her down, I told her I wouldn't be angry if she walked for one of the show's other designers, if they had a spot for her. She's such a sweet girl, though, and she promised she would rather stay with me than walk. It's nice to know she understands where I'm coming from, it really is. As soon as I stop feeling so gawdawful sick, we're gonna eat a whole Arby's together! Oh baby, that'll be fun.


Continue... )
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Sample Journal Entries - Ethan Wescott [Jan. 4th, 2008|04:28 pm]
Ryan Gosling PB


Dad is leaving town again. He's been fighting with the deacons at St. Paul's, and put in his resignation last week. I wouldn't say that, I mean, it's not a nice thing to say, but I'm sure everybody in the congregation already knows what's going on. (What are the odds of most of them reading this, I wonder?) It's just sad, the way he always does this. I have no idea how he held up his post in Annapolis for as long as he did. He's a dying breed, my dad: one of those old fire-and-brimstone priests that everyone is too liberal for, anymore. I guess he's a good guy, but he's pretty stuck in his ways. Maybe he wouldn't have this problem, if he could listen to what everyone else has to say, once in awhile.

There's already some other job lined up for him, out in New Mexico. He told me he's been thinking about leaving for a long time, he just never did, because he thought he could "do some good" here. As much as I hate to see him and mom go...I know it's a good thing. In this new church, he won't be a priest, he'll be their co-ordinator for adult education. They know what his views are, so they won't be surprised by him. And I think it's something he can throw himself into, maybe get him off my back, if he has other people to "teach."

Continue... )
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Sample Journal Entries - Em Weston (faux celeb) [Jan. 4th, 2008|04:29 pm]
Greetings, from sunny Nevada, where Albert Szukalski is fast becoming my favorite person. Ever. Aaron and I just got out of a week long fight with Oliver, to scrap the whole video process, and put this guy up, in place:



Ol won. The videos are still coming out. Actually, we're almost done. We've been out here with Noel and our crew for about two weeks, and we're looking at a Friday the 13th wrap. If I get my way, we're partying with the bike ghost. We can hook a keg up to the back of his bike. That's at the Goldwell Open Air Museum, just outside of Beatty. They love us, there. (By "they," I mean the people who keep it open.)

For those of you not in the know, Goldwell is a series of outdoor sculptures by a whole bunch of modern artists, in the ghost town at Rhyolite, Nevada. It was a gold rush town that really only lasted four years, from 1904 to the Panic of 1907. They officially packed up and left in 1916, I think.

Fast forward to 1998, when a different "they" made a shitty movie, called Six String Samurai. They filmed a lot of it in Death Valley and Rhyolite. Basically, it's about a post-apocalyptic world in which Elvis is reigning as America's king, out of Vegas. He dies, and there's this exodus to find a new king. Some friend of my brother's showed me the movie, after I played his house party, up in Trenton. This was around 2000, I think. Anyway, I've always loved Death Valley. Death Valley's amazing. It's desolate, yeah, but it's astounding. Just astounding, because you think, "How could anything live out here?" but there's plants all around you, there's animals, and you're really all alone. I don't know, it's great. But I was looking at some of the prodocution photos from this terrible, shity, awful movie, and I ended up seeing pictures of Rhyolite, and thinking how great it was. It's very weird, very Hills Have Eyes, and I told Oliver that if I ever made a movie, I wanted to make it some place like that.

So, when it came time to scope out locations for the big shoot to finish up Who Will Survive..., I started asking about Rhyolite. It came down, around March, to where we had permission to shoot outside of Socorro, New Mexico, and to use one of the lots at Universal Studios for like...six hours, for the video for "Shiola." This was all stuff my producer (he who shall remain nameless) worked out on his own. I trust him to know what I like, even if he has to argue with me for a couple weeks about it. But I was all set to go to Socorro (I love New Mexico), when about six weeks ago, I called him up and was like, "Hey, what about Rhyolite? It's in Nevada, they made Six String Samurai there."

Of course he said to me, "What the hell is a six string samurai?", and I didn't tell him, but a couple days later, he got in touch with Suzy McCoy, who runs the historical society preserving the town. I apologized for the short notice, and asked if we could film there. She said she'd love it if we could, but they had a survey team coming in to do markings for an archeaological dig, about two miles away, the same time we were going to be there. A couple days and a big cash bribe later (partial courtesy of my dad's hospital. Thanks, Dad.), and the surveyors pushed their thing back a week.

Then there's Goldwell. Noel and I went there at 2:00 in the morning, the first day we were in Nevada. We'd finished up at Universal Studios the morning before, and we were supposed to get the outdoor shots for "Shiola" done that night, send the footage back to a friend of mine in LA, who's doing the editing, and switch focus back to the WWS set. But there we are, in the desert, alone, in the middle of the night. It was so fucking quiet, after we turned the Jeep off. We left the flashlight off, and we walked, and we were blind, from the headlights/total darkness transition.

When our eyes focused, there were these white things, these wraiths, about fifty yards up ahead. They're on like a raised platform, so they looked like they were floating. I didn't show Noel a picture of them, before we went out there. Not even the bike guy. (Bikes follow us around, huh?) It was fucking amazing. I wasn't scared, and then he grabbed my arm, and I was terrified. We stopped walking for a minute, and they were so big, and real, and crazy unreal. Like white Nazgul.

You go somewhere like that, and you see something like that, and it's like being in a movie. I live for Noel, but after that, I live for that kind of moment, where all the scary-bad stuff you believed in as a kid is real. Seeing the Last Supper, that night, was like everything in the world I ever wanted. Noel was with me, and I was about half scared out of my pants. What else could I want?

Not a rhetorical question. I did want one other thing. I wanted those statues in the videos. We had to be back in Rhyolite at 6:00 to shoot the rest of "Shiola," but the second I got a chance, I called Suzy again, and asked her if she could get the number of somebody at Goldwell. I kept our crew waiting out there for another two hours past when we were "done," until somebody from the museum society called me back. I begged the guy, for about a quarter of an hour, to let us go out and shoot for a little while.

He said, "As long as no tourists are harmed in the making of this video." He laughed, and said he was almost kidding, because there's never anyone out there, and we might as well do what we wanted. We went, we shot, he got another hefty "bribe."

A couple days later, we broke from shooting, and I got to meet him. His name's Ray, and he looks like a Ray. Noel and Oliver and I showed him the footage we put together at the museum, and he thought we were amazing. We spent the next three hours with him, and he listened to Who Will Survive... and gave us his blessing to do whatever we want. That guy's coming to the wrap party. For sure. With 100 of his friends, if he wants. Bless the bastard, I don't care. He can drink my booze.

I'm writing this from a shitty motel in Beatty. I've been home a lot, this year, but it hasn't felt like it. In February, I was up in NYC every other day, and moving all my crap over to Noel's house. (I wonder how Issy's doing.) Touring until almost May, and while I was technically home with Noel until two weeks ago or whatever, with my sister's birthday, and my dad's birthday, and finishing up the landscaping at my parents' new house, I've still been on the move a lot more than I want to be. When we get home next weekend? Book tour, babies. Book tour. I'm a busy man.

But what the hell - I'm only good at fruity, philosophical speeches. This has been a pretty good year. It's going to be a pretty good year. I never had everything I wanted, before. It's a weird feeling. What do you do, when you have everything? I think I'm supposed to be afraid of losing it, right now, but I'm not. I'm happy, and I plan on staying that way.
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Sample Journal Entries - Sirius Black (Order of the Phoenix) [Jan. 4th, 2008|04:30 pm]
In light of recent, pseudo-curricular events, let's talk nihilism. And anarchy, and the differences between the two. Let's be boring and pull up the definitions, shall we?

anarchy - 1 a : absence of government b : a state of lawlessness or political disorder due to the absence of governmental authority c : a utopian society of individuals who enjoy complete freedom without government
2 a : absence or denial of any authority or established order b : absence of order </i>


nihilism - 1 a : a viewpoint that traditional values and beliefs are unfounded and that existence is senseless and useless b : a doctrine that denies any objective ground of truth and especially of moral truths
2 : a doctrine or belief that conditions in the social organization are so bad as to make destruction desirable for its own sake independent of any constructive program or possibility


Now, kiddos, what do we glean from this? First and foremost, we note that I lived a couple of heavily nihilistic years, but was never an anarchist. Is it possible to be one, and not the other? Yeah, it is. I was under the impression, for most of my teenage years (and if you're counting life in the real world alone, most of my entire life), that the beliefs of the majority were unfounded and downright nonsensical. I should say it started when I was a kid. As soon as I stepped out of my home and into the "real" world that is Hogwarts, I began to see that the people around me, the authority figures I had been...not looking up to, but at least acknowledging as authority figures, couldn't know half as much as they said they did. As soon as I had "mudblood" friends, it confirmed everything I ever suspected about my parents being a right pair of horse bollocks. Some of them were just as stuck up as my cousins, and some of the ones with legit muggle parents were brighter than I was. (Or more studious, at least.)

What I decided, was that I had to know everything I could about everything the adults were decrying. If it wasn't healthy? I ate it. If it was too dangerous? I got hurt doing it. If it was stupid? I willingly made myself look like an idiot. And what I learned - again - is that adults don't know what they're talking about. The ideas adults have are the same ideas adults have had for centuries. Thousands of years, even. I would venture to say that since time began, most adults have grown from good little children who absorbed at least 3/4 of what their parents said and did, and took it to heart. Maybe they were docile, maybe they were afraid of retribution, or maybe they were just stupid.

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Sample Journal Entries - Eleanor Branston (Order of the Phoenix) [Jan. 4th, 2008|04:32 pm]
I want to write a really happy entry. This is such a stupid school year. It's really stupid. I don't want to be all jaded about learning, like my sister is, but ew. I hate this year, and all I hear from the older students is how much better it used to be here, and gosh. Why did it have to turn rubbish, just for me? I don't like this. Maybe Mum is right, and I should go home.

I don't like being dramatic, but I can't help it. Gen wrote me last week, to say how bomb her new school is. Mum moved her after last term. She got in some trouble with one of the boys at the companion school. Not like sex stuff or anything. Some other kind of trouble that Mum told her not to tell me about. She never did, either, and that's weird, because normally she tells me stuff. I think they sort of vandalized something. He wasn't a very nice boy, my mum said, and he kind of liked to get Gen in trouble, while he was saying he liked her. I don't know. But she moved school this year, and there's no boys' school anywhere around, and she really likes it. I don't really like the sound of it, but she said since there's no boys, Mum won't suspect her of getting into anything.

I don't know, though. Mum suspects everybody of getting into things all the time. Or Nana does, and she tells Mum to, because Mum believes everything she says. I don't. I don't even know if I think Gen really did anything all that bad. I guess she did, since they moved her out and everything, but I don't know. I just don't know about anything, this year. I wish I hadn't been born magic, and I could have been like her. It was so much better, when we went to the same primary school. Gen is three years up from me, but she never pretended like she wasn't my big sister or anything. It was really nice. She's never been a mean girl.

Wouldn't it be fun to be a mean girl? I could tell people to go off when they're mean to me (but nobody ever is mean to me, so I don't really have an excuse), and wear coloured stockings, and make my hair all funny, and go out late to films nobody wants me to see. That would be really...It would be spectacular, and if I wasn't magic, maybe I would be that way.

I'm sorry. I'm being really ungrateful. I have a nice family who loves me, and a sister who doesn't think I'm a stupid idiot. I have a couple of friends, and I suspect I'll have more when I get older and people take me seriously. I have enough to eat, and a good education, I suspect. Defense Against the Dark Arts isn't everything, right? We have other grown-ups who know things about it, and I guess if you want to learn more after you leave school, you can, so maybe it isn't anything to worry about. I have clean clothes, and new shoes, and my dog at home, and lots of safe, open, green land to run around on. I should be so, so happy, but...I still don't know. I wish I was my sister right now. I should be so happy, but I wish I was my sister right now.
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Sample Journal Entries - Roger Davis (Rent) [Jan. 4th, 2008|04:33 pm]
Mimi has pissed me off.

I haven't been able to talk about it, or even think about it right, or even act like it, but I'm pissed with her. I'm pretty goddamn furious. It could be my fault, for forgetting what a kid I was when I was 20, and not expecting her to be as much of one. It could be she's not as street-smart as she's led me to believe (even though she's kept herself together this long), but I just can't fucking believe, for one second, that she didn't already know what her doctor told her. How could she not have known her ACT was fucking up her birth control? I hate doctors, but I refuse to believe they didn't tell her, and even if I have to accept that, I can't believe she wouldn't have taken the time to ask them if there was anything she oughta know about her drugs.

I thought she had more sense than that. Looks like I was wrong. And now I doubt almost everything she does. I wonder how the fuck she'd get herself home at night, if I wouldn't come to pick her up. I wonder how the fuck she did it before she met me. How is she alive? How did she not kick the bucket and die before I even came around? Maybe I'm being too harsh, maybe I'm being unfair. But how is she not dead, how has she never been pregnant, how has she not constantly been mugged on the way home? I can't stop thinking about every stupid thing I've ever seen her do, and wondering how it didn't bother me before. Before, I thought, well, she needs my taking care of. It was almost endearing, and that sickens me. Now, if she's childish, it just makes me angry. I can't stand it, I want to grab her and shake her and tell her to snap out of it and grow up and stop being a baby.

She's been moody. How can she be moody? Where does she get off being upset? She should thank her lucky stars she isn't pregnant. What the fuck does she think we'd do if she was? The world would fall down. I'm not being melodramatic, the world would fucking fall down. Even if, by some miracle, she had the kid, where would we get thirty thousand dollars for a hospital bill? And what if she died?

Goddamn it, what if she died? We were sitting in our room the other day, just sitting, and she turned and said to me, "I wish you'd stop comparing me to April." I told her I wasn't - I don't even know where that came from, it was out of nowhere. But what I wanted to say was, "I could, if you'd stop making yourself comparable." It's like she knows. It's like she doesn't think I'm only worried about something happening and killing her, it's like she knows what happened before. It's creepy, I don't like it. I have a hard time meeting her eyes now, I'm afraid she'll see it there.

I bet she's upset that I can't understand why she's angry she's not pregnant. Fine. Be upset, Mimi. Whine and piss and moan and cry because I'm so fucking selfish and can't understand anything. Tell everyone that I'm so mad I can't even look at you. Fine. Do that. It's not the anger that's keeping me from looking. I'm just afraid of you. I'm just afraid of what you can see. Do you really know?

I can't tell Mark, because I know he'd take my side. (I wonder if she's already told him.) That sounds stupid. I don't want him to be irritated with her, too. I guess...she is just a kid. I thought stupider stuff when I was 20. I got over it. She will, too. She'll realize we couldn't take care of a baby. Hell, she'll probably realize she doesn't even want one. She'll remember how much it sucks to not have a family, and what if we had a kid, and then both died on it?

Still, I wish I could explain. To anybody. I used to never want to admit when I was terrified, but that was also back when I was a dumb kid. Now I want to run up to the first person I see, and say, "I'm fucking scared." But I don't. I'm waiting for Mimi to yell at me because I can't have sex with her anymore. It's worse than right after Christmas. My stomach flops if I think about it. That's just great, when your girl's all over you, and you have to shove her off because you might hurl. I'm worried she'll start thinking it's her. Believe me, Mimi, I would stop this if I could.

I even went to Life Support the other day. I had to throw myself into perspective, but listening to how much worse everyone else has it didn't really fix anything. All I could say was, "I shouldn't be here, I don't have anything like the problems you do." Then the worst part was, everyone looked at me like I was wrong.

I left after that, as soon as it wouldn't look too awkward. Every once in awhile, I think I want to have friends. But I don't. The friends I have are usually more than enough. Half the time, I'm not sure I like most of them. I love Mark, Collins is great. I could live without everyone else. Hell, even Collins, though, I think we'd survive if we never saw each other. Unfortunately, I'm not sure I'd survive without Mark. But even he...doesn't know half of what there is to know. Sometimes I think I don't know him anymore at all. When I had myself boarded up for a year, I told him everything. Well, as close to everything as I've ever come. But now it's like. I don't know how it is. I'm so busy with Mimi, I barely know what's going on with him, which is weird, since we occupy the same (small) space.

I love Mimi, but it's hard to know any one thing has turned into my life, even if it's a girl and she needs me. The last thing that was my life was an addiction. Is she an addiction? Am I obsessed? No, because I run away sometimes. But other times...I feel like I am. I don't know what to do with myself, if I'm not trying to do something for her. Even when I write, anymore, I'm doing it because of her. I know she wants me to make something of myself, and I know she wants it because she thinks it would make me happy. What would really make me happy is seeing how excited she'd get if I did.

So, it has nothing to do with me, anymore. That's why I'm having trouble. That's why I can't find a band and I've gone back to not being able to write songs. I think of the guys I meet in terms of whether Mimi would like them or not, or whether I'd let them around her. I try to write for her, but I'm too critical of what she'd like. I know, really, she'd like any shit I put down. She might not care who I played with. I know she just wants to see me get out of here and do something. And I want to give her what she wants, but I think...am I losing sight of what I want?

What do I want?
- to write
- to get out of New York
- to be able to talk to people
- to know Mimi's safe

No, that's not something for me. Cross that out.

- to...

I don't know. That's where I get stuck. Once I get to Mimi, I can't get past her. There's nothing left to say.
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Sample Journal Entries - Lestat de Lioncourt (Vampire Chronicles) [Jan. 4th, 2008|04:33 pm]
Hello, world. It’s your arch-nemesis, Lestat, again, reaching you across the internet, from merry old New York City. Suffice to say: the rumours of my death have been greatly exaggerated.

I’m sure you remember me, I’m sure you know who I am (even if you won’t admit it), and so, I assume I need no introduction. I have things to say, and stories to tell, though few of them are the wild kind you may be expecting. There are stories of a woman, of a flood, of a love and a loss, and perhaps, soon, a strange new beginning. The internet seems the perfect water to float this barge on – funny to me, how easy it is to stumble across these words, and how hard it will be for you to believe them, whoever you are. A book is a real thing, a solid thing, a thing with promises. I’m tired of those. The internet is nothing. I may be a computer. I may be your fourteen-year-old cousin. I may be your brother, or your neighbour. Or I may be you.

I distract myself.

I’m living in New York, as I said. Some may think otherwise, but even regarding the events of the past decade, my apartment here is as familiarly comforting as ever. Or maybe it’s only a trick of the lights. I love the lights going up around the city, this time of year. Everything is constantly illuminated, electricity being what it is, but Christmas illumination is different. It sparkles, it coaxes that stupid blind optimism out of me. About what? About anything. I can’t take seriously the people who say they don’t feel anything at Christmas. You don’t have to be religious to feel something. The magic doesn’t come from religion – it’s manmade. Christmas is contrived magic, but contrived magic is worth appreciating. There is no natural magic anymore. Not that anyone takes notice of.

There are still, of course, better things to do in New York City, than mill around, staring at the sparkly things. I’ve been seeing a woman. In the ordinary sense of it. It’s odd; we go on dates, we have talks. Ordinarily, I never attempt such mundane things, and when I do, it’s loneliness that drives me. There was Louis, but he was not quite the same, and there was the boy after him. I haven’t done it since. And this was, the best I can figure, an accident. By the time I realized what I was doing, I’d already been knee-deep in it for some time.

Her name is Audrey, and she believes she’s a few years my senior. I don’t know what she believes about me. Like so many unfortunate people in this city, Audrey is a musician, and struggling. I won’t lie – she’s no unearthly talent. She plays the piano, and does it well. As a songwriter, she is sweet, innocent, fresh, but none of her poetry is poetry I’ve never heard. But her voice has that bell-like quality I love so much, like crystal, and that, I know, is what drew me to her.

When we met, she was pregnant, and singing in bars. It wouldn’t take much to turn around and call them “dives,” really. Everything about her was misplaced in these spots, her voice, her looks, her subject matter. There was something disturbing about it, like a particularly savage cartoon I once saw in a children’s magazine: a “Spot the Differences” puzzle featuring a fairy trapped in a spider’s web. The art was terrible except for, somehow, the wide-eyed face of the fairy, her mouth a tight, resigned line.

Before her pregnancy, Audrey had been doing well. She had a long booking at the Four Seasons, once. I remembered seeing her there. Singers are rarely, if ever, booked solely for their talents, though. As soon as they could no longer easily objectify her, they wanted her gone. The jobs got worse and worse, until I found her in front of me, a flickering light, singing Billie Holiday to the kind of people who have no idea “Billie” has ever been a woman’s name.

Her employer hassled her after the show. He insisted she would lose her job if she couldn’t work Fridays. She insisted she had no one to watch her daughter. I, for reasons I’m still not entirely sure of, stepped in. That’s a lie. I hate to see anyone bullied. And the expression on her face while he railed at her was all too like the fairy. I slew the spider. Metaphorically, anyway.

And then I took Audrey home. She stammered thanks, stammered apologies. No one had ever been that nice to her, she said. What could she do for me? She wanted to know. I wouldn’t hear it. I gave her a choice: take whatever money she would have made on a Friday night, or let me send a nanny to her. It took her the rest of the night, and the most coffee I’ve ever seen a person drink, before she agreed to the nanny.

I took her phone number, her address, and I arranged this. (I’m still shocked she gave them to me. Audrey has a naiveté that’s dangerous in a city like this. I’m not sure how she’s survived, except by sheer force of will. That isn’t always enough.) Saturday evening, I called her. Audrey was ecstatic. Her daughter loved the woman I sent. She made incredible tips that night. I was, again, the kindest person she’d ever met. It wasn’t true, what people told her about the city being full of terrible people. These are the things she said. And then she asked if I would let her invite me over for dinner.

I let her.

I fell in love twice, that Sunday night. Audrey is Audrey, with her pretty laugh, and her slow smiles, and the way she twists her napkin around her fingers when she’s flattered. There are more stories in one night with her than I’ve heard in many years with women well beyond twenty-eight. Stories in a look, stories in a movement. Stories in the little lapses between her words. The emotion pouring out of her is always uncanny.

And then there is Bridget. Bridget is Bridget, with her seven years, and her wild, green-flecked brown eyes, her curly pigtails. She’s a doll, and almost more interesting than her mother. For every story Audrey tells without a word at all, Bridget spouts out two or three. She told me about the nanny. She told me about her mother, and her brother (soon to come). She told me about the dog who lives down the street.

I haven’t been around children in a long time. You have to understand that this overwhelmed and frightened me beyond belief, on that first night, and has continued to do so, since I met this family. In every word this child said, I felt her becoming more important to me than her mother could ever be. I felt her becoming more threatening. Children know things. Unspoiled as they are by the realities of the world, they believe things that would make a grown-up roll her eyes. I can’t count the number of times a child has looked at me, and then stared, and the terrible sense of knowing that comes from them. Bridget, unfortunately, did none of this. If she had, I might have left that night, and never come back.

I came back the next night, and nearly every night after. I became the boyfriend. I was there with Audrey’s mother, when the baby was born. Kennedy. Not a name I would have chosen, but it sounds right in Audrey’s mouth, and the infant never seems too appalled. That was October, just before Halloween. I thought it might have upset some balance, my intrusion in the beginning of a life. It surprised me, when it didn’t. I was there when he was born, I was one of the first to hold him, and yet it hasn’t affected him in any way. There’s no strange quality in him. He sleeps, he cries a little, he watches and half smiles. Kennedy is yet another piece of evidence in the case against our affecting anything that goes on in the world. I can witness creation, but create nothing, and upset nothing, ultimately.

The life I have with these people is both average and strange. Strange to me, average to the onlookers. That, in itself, makes it strange. When have I ever led a life that didn’t make people stop and turn? Often, really, but I never believe that’s true, until I try to think of it. Didn’t I live, the same as this, with my little family at the dawn of the 19th century? And here I am, two hundred years later, feigning sleep on a couch, breathing in all the smells of the apartment, a baby dozing on my chest, Bridget reading the Chronicles of Narnia to the plastic horses that graze on the floor.

I’ve bought her a wardrobe for Christmas. It’s an antique, with all the scuffs and marks and intricate carving she could want. At her last birthday, Audrey bought her a lamp in the shape of the forest lamppost. Bridget plays that she is Queen Lucy, and I am King Edmund. I’ve fallen again, and she must save me. Some nights, I die for my mistakes, and she rides her wild horses to the mountains, in search of magic cures. She always triumphs. I always rise. She’d never imagine how it makes me laugh and cry, when she’s gone.

But the game, I’m afraid, is up. Six months is a long time, and if you asked, I’d have to say I’m not sure how I’ve avoided all of Audrey’s predictable questions, up until now. What do I do? I’m independently wealthy, a trust-fund kid. But what do I do? I haunt libraries, slip behind the scenes of charitable organizations. All true, and yet all pretty, pacifying lies. I catch glimpses of disbelief from her, sometimes, and it makes me laugh to know she thinks of organized crime. Me, in the mob. And yet it would shock my Audrey to her foundations, if she knew the hits I make, the men who fall.

She is willing to believe in my innocence, however. She believes because I say I love her, and her children say they love me, and I rescue her like the tower damsel she was. She believes because I’ve improved her life in ways she never could have – it’s true! It may be my money she notices, but my efforts have found her better bookings, more tolerant and helpful managers. If I left her high and dry, she wouldn’t fall. Her feet have found her.

It’s gorgeous, to see her in the clubs now. Her voice is clearer, I even think. There’s happiness flowing through her that was never there before. To think I have anything to do with it is stupid, at best. I’m a financier. I’m a talker. I flatter her, and she believes me, and it’s the belief that makes her better. It’s always been in her, this power she has now. How cliché, that she didn’t notice it before. Believe me when I say I would claim more responsibility, if I could, but I’m only a vessel, and a messenger. Audrey is an angel.

But the questions aren’t only questions of money, you see. There’s the question of intimacy, a thousand questions of it, and of love. If I love her, won’t I move in to stay? It’s not appropriate. But the children want me there, she says! It’s tempting, really, but impossible. I tell her it’s tempting, anyway. It’s not, in the conventional sense. I don’t feel compelled to find a way to give in. There’s no real desire in me, just a feeling that there should be one. The feeling of, “in another place, or another time.”

The sex question is a funny one. I’ve made up some revoltingly moral story about waiting for my wife. Do men do that? She asks. I told her the kind of story a woman would like, that I was a nihilist for a few years, the kind of nihilism that comes with a rich family and a driver’s license. One thing led to another, namely a drug-induced brush with death, and I decided to change. It’s a laughable story, because no one really does change, do they? I never have. But she believed it, and I think she loved me more, after.

She once asked me why I didn’t cut out the charade and just marry her. She laughed when she said it, and she was a little drunk, so I’ve tried to hope she didn’t understand what she was saying. I told her as much. She never said it again, but every so often, in the same way I would catch the little drifts of suspicion, I would get the sense she was angry I hadn’t taken her seriously.

I wonder what new suspicions will crop up after me. When I write the inevitable letter, I wonder how strong the urge to tell the truth will be. Do you remember the gothic rock band in the 80s? I was that monster. I disappeared then, and I must disappear now, but if you go and find the old press photos…you’ll know it’s true. If you spent the whole of your new fortune looking for me, you would never find me. Do you see how silly your fears were? Do you think I’m wicked now? It was more of a charade than you imagined.

Goodbye, Audrey. Perhaps, years from now, I will come like a phantom out of the night, and frighten you. Perhaps you will remember me, and hate me, and perhaps you will not. I don’t know. But I will remember you, and love you, and hope that my efforts to protect your children from my own ghastly dreams will not have been fruitless ones. Rest assured, I’ll see you again, in that place between the dreams and waking, where they don’t quite seem ghastly, so much as they seem real.
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Sample Journal Entries - Duo Maxwell (Gundam Wing) [Jan. 4th, 2008|04:35 pm]
Saturday, Dec 31, AC 196 (wee hours of the morning)


Look, Ma, I'm on TV! I never wanna turn on another one of those goddamn things again. You never know what they'll be saying about you. The last two years are like one big, long, messed up day, for me. I don't remember when anything happened. We spent so much time moving around, I can't even say, "Oh yeah, that was summer, cuz it was hot out." The whole world isn't hot at the same time, space is never hot.

So today was the anniversary of some important battle last year, and I had no idea. I swear to God, I don't freaking get news channels. Every time I turn one on, they're dragging up all this crap from wars and screw ups that already happened. That's not really news anymore, is it? It's depressing. If it wasn't, I would be laughing right now, cuz it's too ironic. Right as me and Hilde are going through customs, right the very second this guy with a giant mustache is checking our passports, there's my face on like six TV screens all over the room. And you know what this anchorman is running his mouth about?

The continued debate on if we gundam pilots were terrorists or not.

Oh my God. Jesus H Christ on a stale fucking cracker. If I was going to say that, I'd say that right now. So this mustache looks at the TV, and he looks at my passport, and he looks at me, and he looks at Hilde, and she's smiling this huge smile she gets when she thinks I'm about to punch somebody and doesn't know what the fuck to do, and I'm just like...I'm standing there, like I can't even believe this is happening. Because I can't. There were five of us, ok? Five, and I was the only one in that airport, and the only one on the fucking TV. How the hell did that happen?

I don't know how long I stared at that guy's giant mustache. Then after basically forever, he says to me, "You kids have a nice day."

...YOU KIDS HAVE A NICE DAY??? At least if he'd made me go back through security, or called for back-up, that woulda been some kind of closure for having to stand there with everybody in the line staring at me for F O R E V E R. I'm about to go ballistic like a missile. If I turn out to be part of a terrorist cell while I'm here, I'm implicating the hell out of Mustache when they pick me up. Officer, I'm sorry, this would never have happened if that walrusy bastard hadn't let me into your country.

This didn't bug me at the time, I didn't even think of it until right now, but why are they even having this debate? Don't terrorists sorta have to terrorize people? I always figured a terrorist was somebody who made people do what they want by scaring the pants off them. Terrorists threaten people, they kill civilians, they make crazy ultimatums.

I killed a lotta people, ok? I don't know how many. I'm never gonna know how many it was, and I'm never gonna feel right about that, but I do know I never shot down any civilians. I never threatened anybody. None of us did! The only people who felt threatened by us were the people trying to hurt the colonies, cuz fuck it, we were the colonies.

I'm not proud of anything. I know people back home who think I'm some kinda hero, and that's just as scary and fucked up. Most of those soldiers didn't deserve to die. Hilde was an Oz soldier, and she was the same as me. She thought she believed in something. I gotta assume all those other guys were the same way. I'd be a lot happier if I could pretend they were all assholes who got what was coming to them, but I can't. Nothing's ever gonna stop me from being scared all those pilots we killed were just like us.

I'm not even that brave. I can't even pull off killing myself right. Heero had the guts to self destruct. It didn't work, but man, he was committed to it. He never sat around all glad it didn't splatter his brains. And he went to see that girl...I don't remember her name, I heard Trowa telling Q about it. But me? I was glad every day after my self destruct mechanism failed. I've been glad every day this week that I didn't break my neck before I could see Hilde again. I keep thinking of more stupid reasons to be afraid of dying.

I want to be more like Heero. Get rid of the fear, or become the fear, or whatever that guy does. Sure, he's totally insane, but I'd kill to be insane. I bet he's not sorry. I bet he doesn't sit around all night, feeling like shit because nobody is ever gonna tell him why he deserves to live. Maybe I am dead, and maybe this is Hell, because no matter what I do, I can't get out of it. I try, and try, and no mattter what, something saves me. God lets them take everything I love, but He won't let them take me. I'd be happy for Hell. At least I'd know why I was there. God is powerful enough to stop me from dying, but he won't stop me from killing anyone else. What the hell is that?

I can't even look at Hilde. We got to the hotel we're staying at tonight, and she kissed me, and I ran away. I'm in some internet cafe now. They're open all night. Looks like another round of no sleep for me. Woo! I think this waitress girl saw the TV earlier. She keeps giving me this look, and it's not really a bad kinda look, but it's weird. She seems like confused, but I bet I have her beat. Man, I don't care what happens. All I want to do is get through tomorrow, and get through this party, and go back home to Me & Hilde Land, where nobody bothers us, and nobody cares.

That's the thing about the colonies. Nobody cares. People aren't so fixated on crap up there. They don't care who you are, as long as you're not making shit storms all over everywhere. That's why the war was so stupid. If you leave colony people alone, they leave you alone. I've lived there my whole life, and I wouldn't change that. I just wanna go back. Tomorrow is gonna be so long. Oh how I wish la Peacecraft approved of underage getting tore back.
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Sample Journal Entries - Hayden Christensen [Jan. 4th, 2008|04:36 pm]
My mom called to tell me the groundhogs got into the garden. Well, she called to tell me Hejsa’s new phone number, but what she told me was, there’s an entire family of rodents destroying my handiwork. Dad put out traps for them, but they dug half of her bulbs up, the first day. They turned a good yard of the walkway up, and it isn’t just my parents’ house – it’s the whole neighbourhood.

We had an infestation like that before, when I was a kid. It was around my birthday, so they were everywhere outside. I don’t remember if I was turning five or six, but I was young enough not to know you don’t go near them, and I used to throw things down in their burrows, and chase them around. I thought they were like fat dogs or something. Then, the day before my birthday party, I got too rowdy with one of them, and it bit me.

I don’t remember it actually happening at all. Kids get hurt all the time, but not usually by groundhogs. They fall out of trees, or piss off the neighbour’s dog, or hit another kid with a rock, and the other kid picks it up and hits back. I did all that stuff, too, and I remember it. If I concentrate, I still have a distinct, sensory memory of falling off my parents’ bed once, and smacking the back of my head on their dresser. I can still hear the noise, in the back of my head. It’s a really clear crack that’s less like a real sound, and more like the memory of a transference of pressure. All I remember about the groundhog is that I was scared to tell my mom. I didn’t cry. I just stood there, dreading my mom finding out, while it ran away. I thought she’d be pissed at me for getting hurt right before my family came over.

She must have seen me standing there, from the kitchen window. When she came outside and asked me what happened, brilliant kid that I was, I tried to tell her I bit myself. Brilliant mother that she was, she played along. She said, “Well, hurry up and get in the car, so we can finish shopping for your party.” It wasn’t until we were in the hospital parking lot that I realized that was where she was taking me. At the time, I thought, woah, what a mean trick. You can’t pretend to believe someone, so they’ll go and get a rabies shot without kicking and screaming. But in retrospect, she had the right idea. Making a big deal out of it would have scared me. I felt pretty dumb, when she was telling the nurses at the triage station what I did, but I was never scared. Even when they took me out of the waiting room, and brought the needle in, my pride hurt way worse than the shot.

I say all this because, when I was talking to her today, I heard all that in her voice. She wasn’t half as upset about the garden, as she was about having to tell me all the work I did for her was ruined. I told her, Mom, it’s ok, I can fix it no problem. The water damage last year was worse than anything an animal could do. Before I could think about fixing the yard, my dad had crews over there to dry out the basement and fix all this structural damage they had. They’re still having mould problems, a year later. There were a couple families in the neighbourhood who sold their houses as soon as they got all the repairs finished, like last year was the final straw, as far as living in a flood area goes. I’m glad my parents didn’t. When I go home, I want to be able to go home. No amount of work is too much for that.

So I told her not to call anyone, or worry about it. She and the houses on either side of ours are pooling together to get a pest control guy to come out there and take a look around and see if they can get rid of these groundhogs before the weather gets warm. Since we’re talking about Toronto, they have all the time in the world. But I’m going to fix the yard again, this summer. I said the rain wasn’t going to stop me. I can’t let animals do better than the rain.

Then again, there’s some universal force trying to stop me from ever getting that yard back to the way it was. Two years ago, there was a drought that killed the grass. My dad and I barely finished putting the new turf in, before the snow came and froze everything. Then the rain, now the animals. I can’t win. I don’t want to try to guess what it’ll be next. But I’ll get past it. I said it before: I will.

When I say, “I will,” it’s exactly what I mean. I will it to happen. There isn’t a lot to be said for trying, or even doing. To say I’m “going to do” something, there’s a margin of error, there. I can’t say, “I’m doing it,” until I’m right in the middle. When I will, it happens, whatever it is. Another thing my mom used to tell me is that I never accept anything as it is. When I’m told something is impossible, or improbable, I do it anyway. I decide the odds are in my favour, even when they aren’t. I wouldn’t have gone to half the places I’ve been in my life, without that sort of stubbornness.

But it isn’t that I don’t doubt myself. I do, I do. I don’t think you can ever be really good at something, without doubting first. There are people, though, who can’t get past it. Sometimes I’m surprised at how many, because it’s never been hard for me to make the distinction between doubt as a step ladder, and doubt as a wall. It’s hard to put things I’ve known my whole life into perspective, into the terms of what they mean for other people. Maybe acting will help me with that, one day, but it hasn’t yet. I haven’t completely grown out of being stubborn for the sake of being stubborn. But I’m better than I used to be, and there’s never going to be a shortage of walls and gardens.
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Sample Journal Entries - Johnny Depp [Jan. 4th, 2008|04:37 pm]

I'm late. Those are the same two words I typed this morning, before a power outage killed lunch, the television, and my ability to update. Tardiness, I've learned, can be a virtue.

As a couple of great men once sang, You can't always get what you want, but sometimes you get what you need. Vanessa went back to sleep, after a long night with mini Jack's recent discovery of allergies. (There are better hobbies, kid.) It was 1am, she told me, and she didn't wake me up. When the munchkins were tinier than they are now, we didn't take "turns." When they needed us at night, I went after them. During the day, they were stitched to their mother's hip, so I might as well. If it was food they wanted, I brought them to her. If it was company, we had a nice walk around the house. Some of the best conversations of my life, I've had in the company of infant silence.

She told me last night was a return of the favour. I let her sleep all afternoon, while the allergy-monger lolled across my lap and listened to his sister play Shakespeare. When Jack finally fell asleep, she asked me to teach her a new play. She doesn't understand the vernacular, yet, but she likes Shakespeare better than fairy tales. We tell her the stories a few times, and she casts her dolls in the roles, and acts out her own rendition. We watch the stories evolve, and it's amazing, all this ever-changing ingenuity from a girl that small.

So, I taught her A Midsummer Night's Dream. She asked me, halfway through my version, if her name was a fairy name, like Peaseblossom. "It is," I told her. And Jack's is a pirate name?, she wanted to know. "Jack's is a pumpkin name," I said, and after her giggle, there was talk of Halloween.

Halloween in France hasn't always been similar to Halloween in America. No offense to America, but the United States is a country of commercial holidays. Halloween, like anything else, is a way to make money. It's all shitty plastic masks with hollow eyes, sold for thirty dollars more than it's worth, with a jumpsuit made out of something that doesn't even feel like fabric. You don't get that so much, here. French parents aren't afraid to dress their kids up in the traditional "scary" costumes. That's a good thing. Kids have crazy, irrational fears. Teaching them to have fun with fear is valuable. If you can calmly face a neighbour in a rubber mask, you can learn to laugh the mask right off the kids who give you shit. To quote someone equally wise, There is nothing to fear, but fear itself.

But this year, Lily Rose wants to be a Shakespearean fairy. I asked her what the difference between a Shakespearean fairy, and your run-of-the-mill fairy was, and she went to get her notebook (yes, the poetry notebook some of you have been hearing about), to draw me an incredibly meticulous illustration, with Jack's crayons. (Jack the Runny-Nosed Monster, then drooling on my collar.)

In the end, I still had no idea what the difference between the fairies was. The Shakespearean fairy looked like any fairy I've ever seen - but then, I confess I wasn't looking too close. The way the light hits Lily's hair is more fascinating; the sound Jack makes when he breathes is more compelling; how quiet the house is, aside from Lily Rose's story, is more amazing.

A friend of mine said, not too long ago, that if his wife ever left him, he'd be devastated, but he wouldn't worry, because he could see her in everything, right down to his daughter's toenails. But the great thing about these kids is, they don't just carry me and Vanessa everywhere; they've got sun, and rain, and dirt under their fingernails, and the whole world in their heads. Fuck vacations. My children are my travels.

And they, Ms. Kate Mulgrew, are the reason why I am no longer Naughty.

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Sample Journal Entries - Bam Margera [Jan. 4th, 2008|04:38 pm]
If fucking heroin Novak here wouldn’t be trying to break my goddamn keyboard with his little beer can antics, we’d have an entry here, by now. What’s up, life partner? Oh, you got your shit demoted, cuz you can’t keep your fingers to yourself. He’s all sitting here on my shoes like I don’t care if he’s hammered, getting in my way. Get out of here, you grimy fuck. I’m trying to get married here in like 72 hours, and this jerk is trying to break all my technology, so I can’t even think.

Ok, he’s gone, the fuck.

I should be nervous, right? But I’m not even. Everybody keeps saying this stuff to me like, aw, Bam, this is such a big deal, I can’t believe you’re doing it. It’s not like you, man. Or, man, do you know what you’re getting yourself into? And I’m like shit, dude, it’s marriage. I’m gonna spend the rest of my life with this chick, of course I know. Phil and April have been married forever, and I’m constantly all in their stuff. But even Ape is like, Bam, it’s such a huge deal, you gotta make sure, you gotta get all this stuff together, you gotta stop and think about this….Why am I the one who’s so cool about it, and everybody else is going bat-shit haywire?

Missy’s being a trooper, I’m pretty prouda that girl. She was all nervous on TRL the other day, but she’s not buying into Ape’s stuff. That’s her job, the OH MY GOD WHAT ARE YOU DOING stuff all the time. Missy’s so much cooler than that. She’s all collected. She has her shit together, so she can keep my shit together. That’s some of what the difference is, between Jenn and her. Jenn doesn’t know her damn ass from a hole in the ground, and that’s pretty sad, considering. I even got my shit sorted out better than she did, way back when we were together, and I was pretty young. And Jenn’s older than me, so I guess that says something about her. What the fuck, with Elle and everything. How are you gonna go and have a kid, and be like that? I still don’t know how they didn’t fucking give me that restraining order. I’d be worried about the house and stuff, while Missy and I are gone, but there’s gonna be punk ass kids crawling all over this dump anyway. They’ll beat her off. I’m putting up a big sign, I think. She’s target practice toast.

Somebody said something to me, about whether I was worried she was gonna show up at the wedding. Not really. I don’t think she would, there’s gonna be security like two miles deep. If she did turn up, man, how tired would that make her look, that she can’t even leave us alone for getting married? If she wants to look like some blown out skank with a stick up her ass, on MTV, fine, whatever. Go the fuck ahead, cuz that’s good TV. That shit’d be all over fucking YouTube like five minutes later. If she wants to be that kinda famous, then…damn. Do whatever, I don’t even care. It’s not gonna ruin my day.

What is gonna ruin my day? Nothing. Dude…nothing. The whole thing’s like 110% ready to go, and I am like 200% ready to get to it, and get it done, and get on top of the next thing. Back when Jess got married, I told him one day, damn, there is way too much work going into this. It really is. If we weren’t doing the show, I wouldn’t be half as chilled out as I am now. I’d be thinking about it too hard, but now I can be like, dude, show me the dailies. Dude, that light was fucked up. Dude, did you even get that shot that just happened? Takes my mind off all the crazy stuff, like how much some shit costs, or how much somebody’s parents are freaking out, or how many minute ass details are gonna blow the whole thing to smithereens if there isn’t some whole committee making sure it gets done.

That’s like half of why I’m admiring Missy right now. She’s way more in control of that stuff. See, keeping shit together, again, that’s all she does all day. She’s real classy, like somebody you want to put up on TV and be like, heeey, that thar’s mah woman. I don’t know if I would’ve wanted to make a whole show about Jenn, but damn, I’d probably have had to, cuz I would really go insane with her ass trying to pull a wedding out of itself. But I seriously don’t think that bitch is gonna show. I thought she would way earlier than this. Everybody knows we’ve been filming, but I didn’t hear anything out of her, and that’s amazing, cuz she’s full of so much ungodly shit all the time.

You know else isn’t gonna turn their ass up? Dunn. That douchebag fucking told me he was gonna be here, and I was all like yeah, all right, cuz you’re still one of the groomsmen or ushers or whatever we’re calling them now. Today’s about over, though, so he’s got two to turn up, before I call him MIA. This is the only one of those details I’m sweating. I don’t have a back up man, Dunn. Get your ass over here. I don’t even know what he’s doing. Like, he didn’t tell me. He just said, aw, yeah, I’ll hop on a plane and get over there. And I was believing him, so I told Missy and April oh yeah, Dunn’s gonna be here, so now I’m ticking down the hours until I have to tell them to screw it. He’s gonna throw so much shit off. There has to be like an even number of groomsmen to go with the bridesmaids. I better start drawing straws to see which one of Missy’s pals gets the boot.

Seriously though, it’s gonna be more of a trainwreck explaining it to April. Missy will come up with something, April will like…I don’t know. She was telling me the other day all about how she misses him and doesn’t think he should keep leaving, because he’s part of the family or some shit. I think she was trying to tell me to tell him to come back, but man, I don’t have anything to do with it. Not seriously. I don’t know what he keeps getting up his colon, but I didn’t tell him to get out of here so like…I don’t even have authority over that. I told him he didn’t have to be on the show, but that was after his ass told me he didn’t want to. I didn’t tell him to go some place. But we’ll see. I’m not gonna make some fuss until Thursday, so he’s got one more day to show his mangy mug around these parts.

Tomorrow is gonna be a long as hell day.
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Sample Thread - Celebrity [Jan. 4th, 2008|04:41 pm]
Hayden Christensen & Sienna Miller - for [info]dietpop


Me ([info]hhristen): Crisp and cold, but pristinely free of snow: just what should have been expected, Hayden thought. The words, the idea, superimposed over the crawling landscape of the New York City streets. It was strange to think the cross-country flight had seemed shorter than this drive from JFK, to Grand Street, and somewhere in the transition from plane to cab, the city's mood seemed to have changed. The aerial view showed a sparkling, glittering vista - something broad and open and hopeful. Down on the ground? Everything was gray and packed together. Buildings shuddering against each other, sludge piled against the curbs, people leaning into people, as they hastened through the dark and cold.

The interior of the cab was a bubble of quiet and manufactured heat. The driver was one of the merciful few who, if he recognized Hayden at all, was so immune to seeing familiar faces in a big city that it didn't register on the radar of his day. He had the radio on now, softly playing the news in the background of the music streaming over Hayden's headphones. If it weren't for the oppressive outside, the ride could have been a nice one; two people in their separate worlds of sound and substance, traveling together.

But as all rides do, it came to an end. The driver curled into a parallel park job, and the engine cut. The sound of the news and the music faded, and words and cash were exchanged. Presumably, this wouldn't be a long visit; the only luggage following Hayden out of the back seat and into the blistering cold of the street was an old backpack with one frayed strap. He shoved his headphones into the bag's outside pocket, a curl of cord hanging out, as he hurried into the building and away from the frigid air.

Although the moment between cab and apartment building was a short one, it took Hayden until he got to Sienna's door to feel as if he had thawed out again. He banged on her door without feeling quite like an icicle, but nevertheless, a little strange. Behind that door was a whole world of Sienna within her own context, a thing he had never experienced in their not-so-long-ago world of two.

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Sample AIM Log - Bam Margera & Ryan Dunn [Jan. 4th, 2008|04:42 pm]
[info]thewoofcafe (As Ryan Dunn): Now was a hell of a time for Ryan to be reminded of why he had been avoiding Pennsylvania, in the first place. For the last decade of his life, Bam's home had been his home, too, no matter where he was living. They only 'officially' lived together while filming a series, sure, but Ryan was there like a dirty shirt, which was to say, always present. In fact, checking the drawers in the room he and Angie would be sharing (his old room, which had only been dubbed 'his' as a formality), he found a few of his own, old dirty shirts. None of which he missed, of course, until he realized he had been missing them all this time. Suddenly, it made him feel bitter and disappointed in Bam for not having sending them along sooner.

When he had taken his extended vacation from West Chester, he had been careful to make sure Bam had all of his stuff back. The box of which, coincidentally, was also hiding in his old room.

The guest room. He was just a guest. A guest with his girlfriend. (He was angry at her, too, he decided. She had immediately run off with Missy, as soon as they arrived, to do girl things. Wedding things. Whatever chicks did for that.)

The bed was made far too neatly. It was a nice illusion if you were staying in the house for the first time, but Ryan suspected trickery. There was no way in Hell that he'd believe this was Bam's doing; the whole thing - the dust-free surfaces, ironed sheets, mints on the fucking pillows - reeked of April. Ryan loved her, of course, and even this offense couldn't ruin her position as his surrogate mother, but the state of the room bothered him. His own room had to be tidied up for his arrival. This was his home and, no matter how many invitations and pleas he received from its current residents, he was no longer welcome in it. If it was clean, that meant he was obligated to leave it the way he found it. When he left, again. In only two more days.

Exhausted, he collapsed back onto the mattress. The force of his bounce sent a mint flying onto the floor, where it settled after an audible crack. Yeah, he thought. That was sort of how he felt, too. Maybe he should have come earlier, for the bachelor party, instead of the actual event. At least there, no one would blame him for drinking himself into a stupor.


Me (As Bam Margera: Much to his surprise, one of the things Bam had learned about weddings in the past few weeks was that weddings equaled a unequivocal absence of time with the bride. In the last year, he'd seen a lot of Missy. Much more of her, in a condensed amount of time, than he had in their entire friendship preceding it. In the past month, not so much. They were only alone at night, in his room that Missy and April had seen fit to gut and clean every inch of, one day when he was out. (It was only just starting to return to its former state of messiness. They had thrown out a lot of his "junk," most of which really was junk, but it was the principle. The room didn't seem the same without his random notes and matchbooks from bars all over the tristate area.)

The rest of the time, there was always someone around. It almost reminded Bam of something old-fashioned - a need to chaperone the bride and groom and make sure they didn't get up to anything. When they were together, the togetherness included one or more members of one or more family. When they were out, it was always with an overabundance of friends. It seemed like everyone either one of them had ever known had rolled into West Chester at some point in the last month. Even when they appeared to be alone during the day, there was a camera crew lurking barely out of sight, capturing whatever it could for the show that was keeping Bam sane.

And then, when they weren't on film, with friends, or in the company of their blood relations, they were separated. Bam had too much editing to do, but Missy's plate seemed even more full with the parts of the wedding that didn't include him. They kissed and said good morning for the camera, they kissed and said good morning for each other, and then, most days, they came to a fork in the road.

Today was like most days, the time between the good mornings and the separation punctuated by Ryan's arrival, sub-punctuated by April's gleeful explosion at the sight of him, and the subsequent tour of what little had changed since he was last at the castle. In the meantime, Bam and Missy changed their greetings to goodbyes, and she left with Ryan's girl in tow, to meet her sister, have lunch, and otherwise vacate the premises for the rest of the day. An hour ago, April had poked her head into Bam's editing room to let him know she was leaving to rendezvous with them, and five minutes ago, Bam had glanced at the clock and realized, somehow, an entire three hours had passed since his mother ushered Ryan off to the upstairs.

Something was off, on more than one level. For one, why wasn't Ryan banging around somewhere? There could be an easy explanation. Someone else milling around the house could have accosted him. He could have had a narcoleptic moment, and fallen asleep. Or, there could be the harder explanation, the one Bam was most suspicious of, which said Ryan was being Weird. And why had it taken him three hours to get out of his little hole, and go see the other man? Again, there could be simple answers. He did easily lose track of time in front of his computer. He could have been waiting for Ryan to find him first. But Bam was suspicious of himself, as well. He was pretty sure he was being Weird, too, and in a house constantly trekked through by this many people, he couldn't afford to seem that way.

That was the mentality that brought him up to Ryan's room to open the door without knocking, and stick his torso in. "Aw, dude." So this was what Missy and April had gotten up to, in here. It looked like a hotel suite. "They fucked your room up, too?"

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Sample Thread - Harry Potter & Conroy and Margaret Moon (OCs) [Jan. 4th, 2008|04:43 pm]
Private Storyline : Post-OotP : Harry Potter / Conroy & Margaret Moon


Them: It was almost two in the morning by the time the Moon house had settled down and gone to bed. The endless amount of rooms were hidden away by normal looking hallways and only the hazy moonlight streaming in from the windows disturbed the darkness that seemed to settle comfortably over what once was bright and cheerful. Yet, even the shadows of the house felt un-threatening.

Me: The normalness, try as it might, couldn't lure Harry in. He felt anything but normal. Change was something he should have expected in his life, by now. God only knew how many changes had taken place since his eleventh birthday - The realization that everything he had ever known, unpleasant as it was, was a lie. The burden of his own importance in the world. The discovery that he still had family, a godfather, somewhere out there. The feeling, the terrible, gnawing feeling, that if it weren't for him, a former classmate would still be alive, and Voldemort would still be hiding in the shadows.

The feeling of responsibility for someone else's death was one Harry knew he was never going to shake. When he returned to the castle that night, with Cedric's body, he had known his life was Different. More Different than it had been after he received his Hogwarts letters, more different than it had been after helping to save Ginny Weasley's life, more different than it had been after he was reunited with Sirius. He had thought, at the time, there couldn't possibly be a feeling that was worse. Cedric had everything going for him. He was smart, well-liked, never caused any trouble. He should have lived, and not only that, he should have won the Triwizard Championship. Harry claimed he had simply given the winnings to Fred and George because they needed the money more than he did, but there was a secondary reasoning behind it, as well. It felt like blood money. Something he had wrongfully come into, thanks to the death of someone who, all things considered, was probably a more valuable asset to the world than he was.

But there was a worse feeling: the feeling that you had caused not one death, but two. One could be explained as an accident. Two? A character flaw. Something deeply wrong with him. His friends tried to distract him, but Harry was rarely free from the thought that ran like a marquee in the back of his head, If you'd just went and slowed down for a minute, Sirius would still be alive.

If he'd just tried to contact someone at Grimmauld Place. If he'd just thought of Sirius's two-way mirror sooner. If he'd just...not let his fear overcome him so quickly. It was ironic, wasn't it, that his fear for Sirius's safety had been the thing to bring Sirius into danger? And his friends. Some of them had been hurt badly.

It bothered Harry, that no one would blame him. Maybe it was "irrational," but he had had his moments of irrationality since that night at the Ministry, as well. There had been times when he blamed Sirius for what happened. If you just wouldn't act like everything's a game... If Sirius wouldn't have laughed. If Sirius wouldn't have underestimated Bellatrix. If Sirius wouldn't have been so eager to show off...

But Harry knew how wrong it was, to think that way. Every time the thought occured to him, it was followed by the most violent pangs of self-loathing. The loathing was always the worst, after he mistakenly blamed his godfather. He, Harry, was the one who was really at fault. You couldn't blame Sirius. He had been so tired of being pent up.

Harry felt pent up, now. The window in the guest room he shared with Ron was cracked, and a steady breeze had been wafting through it for most of the night, but even with the covers kicked down to the foot of the bed, Harry felt stifled. In the next bed, Ron snored happily. How could he sleep? It was so humid, the air itself was practically sticking to his skin. Harry kicked the last few inches of blanket off his feet, and sat up, swung his legs over the edge of the bed, and onto the floor. It was a bit of a drop; the beds here were old and high off the ground, and made Harry feel a bit like a kid, any time he climbed in and out of one. And that didn't make him feel any better. He already felt stupid. He didn't need to feel childish, on top of it.

The floor barely creaked, as he snuck past Ron's bed, and out into the hallway. There was no sound coming from Hermione and Ginny's room, next to them. From the twins' room, there was an even more suspicious lack of noise. Harry almost caught himself smiling; the odds were good that Fred and George had worked a silence charm on their guest room, so they could tinker with their inventions all night. As entertaining as it might have been to see what they were doing, Harry didn't think he could stomach being roped into playing guinea pig for them. He passed their room, and headed down the stairs.

Part of him wished Remus was awake, but another, larger part was glad the man wasn't. He hadn't had more than a superficial conversation with Remus, since arriving at the Moon home, and he wasn't planning on having one, any time soon. To have a real talk with Remus, no doubt, would be to have a talk about Sirius. It was another irrational thought, but Harry was afraid that Remus would be the first person to step up and admit that Harry was the one to blame for what had happened. And even if he didn't say it, Harry was afraid he would see it in the man's exhausted eyes.

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Sample 3rd Person - Sirius Black (HP AU) [Jan. 4th, 2008|04:44 pm]
Sirius and Harry sat on the porch behind the Burrow, staring off into the distance beyond the backyard. It melded into a farmer's field, and where one ended and the other began had never really been defined. Occasionally a stray cow would wander into the yard, thinking it was still on home turf, but everything was empty, for now. Everything was quiet. Sirius had brought with him a sort of tension he hadn't known he was carrying. Like a wave, it washed over the house, shrouding it in a cautious silence, leaving the two figures on the porch alone. There, the silence sank into them, whereas it merely tangoed around the Weasely family, daring them to guess its name.

Things had been this way for half an hour, now. It couldn't have been more obvious that something was wrong, when Sirius turned up in the middle of the day, and asked to talk to Harry. Without Ron, who tried to accompany him. Normally, if Sirius had anything to say to Harry, he would have written him, rather than fly all the way out here. So something was amiss, and it seemed to be getting worse by the moment. Worse for Harry, anyway. He had never dealt with a situation like this before. For most of the past half hour, he had sat quietly next to his godfather, twiddling his thumbs, and watching Sirius chain smoke, out of the corner of his eye. Sirius was the very picture of nervous energy, between the smoking and the erratic tapping of his foot on the porch step.

The smoking and the tapping were starting to make Harry feel suicidal. He couldn't stand it anymore. "Sirius. What's going on?" Having lived most of his life with Sirius, he began to run through his head every scenario he could think of that would be really wrecking on his godfather. Maybe his parents were dead. Maybe Remus was dead. Maybe Sirius was just on drugs.

Sirius exhaled very slowly, drawing out the breath of smoke for what had to have been as long as possible. "I have to talk to you," he said.

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Sample 3rd Person - Sofian Bell (original character, HP AU) [Jan. 4th, 2008|04:45 pm]
Wednesday was an unpleasant night. Even though March had brought weather a little warmer, it didn't help if the rain wouldn't stop, and it hadn't stopped for almost a week now. Little rivers ran down the curbs of the streets and the intersections were filled with small ponds. In the dark, the streetlamps made everything reflective and strange and bright. In the wind, everyone ran for cover in the pubs and restaurants that were open as the evening went on.

By 11:00, it was only the places that served alcohol that were still full of patrons. The streets were almost empty, except for cars carrying people home. And except for Sofian. It must have been an hour he'd been walking. In good weather, it would have taken less time, but when you're pretty much drenched, and trying to convince yourself you don't care, it can be slow going. The problem was, try as he might, he cared way too much. He didn't want to be out there, he didn't want to be headed where he was headed, he would have much preferred to be home. Not wet, not worried. The problem was, if he had been at home, he knew he would still have been worried. He'd be worried until the night was over, until he had done what he set out to do.

The street that held his destination was a dismal place. Everything was closed up for the night, except one shabby pub. The light inside was gray, and despite how good a drink might have been right now, Sofian wasn't inclined to go in. It was a depressing looking place, paint peeling, part of the roof sagging. The whole street was like that. Rotting office buildings that Sofian could only assume belonged to bookies and amateur pornography studios, a dumpster that was more likely than not the feeding place of a couple of homeless gents...and then the phone booth.

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Sample 3rd Person - Mona Corso [Jan. 4th, 2008|04:46 pm]
Sheri Moon Zombie PB


It was evening, and New York was hushed, even warm. The windows in the bedroom were open, with the heavy curtains tied back to let the air move. They were such thick curtains; winter caught a lot of dust up in them, and Mona had sneezed more than her fair share of times, in pulling them back. She wondered if she ought to wash them, but as she sat in the centre of the bed she shared with her fiance, a book barely touched on her lap, she knew it could wait.

On the wall, the hands of the clock stretched into miniature highways left uncharted for the last hour. Mona liked clocks with hands. Digital clocks cheapened the work one went through, as a kid, to learn what the hands meant, and how to count by fives. Every time she had to read the hour from a clock, she thought of her mother teaching her. Then she thought of her mother pulling out nickles and dimes and quarters, to line them up in straight rows, and tell her which were equal to the others. She remembered asking why there was no fifteen-cent coin. Her mama laughed, because it was such an unanswerable question. No one in the world knew why there were no fifteen-cent coins.

One day, Mona thought, she would have her own little one to explain fives, and tens, and twenty-fives, and the strange absence of fifteens and twenties, to. A month ago, she would have said, Yes, but that's not for a long time, now. Tonight, she drummed her knuckles against her chin, resting in her palm, and thought, That's in six months. And then she thought, But it had better not be - a baby might eat those nickles.

This morning, she stared at herself in the mirror, and knew she couldn't deny it, anymore. It wasn't much, but there was a curve at the bottom of her abdomen, where she had been all straight lines, before. It snuck up on her, rounded itself just so, when she wasn't paying any attention. When she was too busy worrying about when it would, in fact, sneak up on her. This is ridiculous, she had told herself. It's really ridiculous - why would he mind? Why do you mind? Why would anyone mind? And then she laughed, nervously. She tossed her head, in the unconscious way people do when they're making a show of nonchalance for the people around them. When it dawned on her that there was no one around, and she had done it anyway, she knew she had a problem.

Eddie, she knew, didn't suspect anything. Well, he had to have suspected something, as out of sorts as she had acted for the past two weeks. She assumed he had already called her parents and demanded (or politely suggested) to know which one of them was dying. When neither one of them was, well, he had probably tried to ask her what was wrong, and she had probably, for the thousandth time, started babbling on about a jell-o mould, and walked away.

In fact, she was sure all of that had happened. She bought a new mould earlier in the week. But the important thing was that, thus far, he couldn't possibly suspect her of trying to spring a baby on anyone. He knew she was trying to gain weight - if he had noticed at all, he must have innocently assumed her resolutions were going according to plan, and not given it another thought. Mona uncurled her loose fist, and tapped her fingers against her lip. But this week, this month, was the longest she could possibly go, without him catching wise. She was going to have to say something.

The bedroom door nudged open, and Lynn slunk in. The cat warbled affectionately (or something like that - Mona liked to imagine it was affectionate, since Lynn was always coming to find her, when she was holed up somewhere), and her mistress slid off the bed, and followed her, both their footsteps equally light, downstairs. Mona had always had the uncanny feeling, growing up, that cats were much wiser than they let on. It had been unfounded, until Lynn. The cat led her straight to Eddie, miraculously watching TV, instead of sitting in his basement. She wondered if Lynn hadn't brought him upstairs first, before coming to find her.
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Sample 3rd Person - Jeremy Garrett and others (OCs) [Jan. 4th, 2008|04:46 pm]
for [info]houseontherock


The dormice of Wonderland were robust creatures. Most grew to between one foot and two in length, with squishy pot bellies and thin, downy fur covering their entire bodies. At the sight of them, little girls begged their mothers for pets, and useless people dreamed of catching themselves a good meal. No one felt threatened by a dormouse. No one ever had.

But a dormouse, like any other creature, was not to be solely measured by its outward appearance. One had only to wander out into the fields or woods of most kingdom, to hear them talking amongst themselves, in their small, pallid voices, and hushing again, when they sensed human presence. Every species has its idiots, but every species has its geniuses, too. The geniuses of the dormouse race were often looking at more than their share of kings.

Or, at least, the illegitimate sons of kings. Prince Veles (as he was called here, in the castle towers overlooking the city of Nightshore. He longed, in the echoing hallways, for the occasional harshness of Bam’s Pennsylvania accent, the Ws he affectionately attached to his other name) stood before a quartet of them, now. They had little belts around their fat waists, made of braided ribbon and almost disappearing beneath their fur. The ribbons were not in the collars of any particular kingdom. One mouse wore yellow, one green, one silver, and another white. It was blessed that it was not Jareth they had journeyed to see, Veles thought.

The first mouse plucked a scroll of paper, nearly as long as he was tall, from his belt. Bowing low, he raised it up to Veles, and in his wavering voice, he beseeched him: “With most humble nature, our country lord, King Jeremy, sends this missive and request, most humbly, for your great favour, Your Majesty.”

The seal on the paper was made with something other than wax. It looked a bit like plaster, mixed with something else, and it cracked when Veles flicked at it. The lettering on the pure white of the paper was ballpoint. The paper was obviously copy paper. Veles couldn’t help grinning to himself – Someone seemed to have met with a happy accident, in the House. What a detour.

At sight of his smile, the mice shuffled their feet, and prodded one another’s shoulders, and whispered in a reedy way amongst themselves, until Veles spoke. “Tell your king,” he said lightly, humanly, with a voice Bam would have recognized, “I have no one to send. He’s on his own, but I send my condolences to his lady, and if he must speak to me again, let him come here himself.”

“But Majesty,” the head messenger mouse pleaded, “How will he believe that we have seen Your Greatness? You give us no letter.”

Veles smiled at them again, even reached down and scritched the head messenger’s head. “King Jeremy will know. Tell him what I said, and get going.”

The mice made many bows and utterances of thanks as they backed away from the prince, and then took off through the halls of the Black Castle, the tinny sounds of their chatter bouncing off the marble on the floor, rolling through the building like the play sound effects of children’s games.

Another young man entered in their wake. “How did they get in? Those weren’t even colours they were wearing.”

“They’re a new faction,” Veles replied, his tone back to almost dreary, as he regarded his brother.

“They won’t last long,” the brother, Nix, Crown Prince of the Kingdom of Black commented. He lolled onto a chaise in the little lounge, flicked a smattering of dormouse hair off the edge. If they lasted long enough to come back, at least, he would prefer his brother not let them leap all over the furniture.

“No,” said Veles. “Just until this afternoon.”

* * *


King Jeremy of the Higher Room, of the Hunt Unceasing, of World’s Outside, watched the painted sky above his palace room. Beyond a shadow of a doubt, he knew his messengers had reached the Black Kingdom. The oil paints were a swirling mass, a faint raw egg smell hung in the air, and the skies were roiling, dark, scary places. They looked like the skies he had seen in his dreams, and nothing like the casual, cloudy gray cast that covered his kingdom on most days.

Days. On the floor, sprawled out in front of his throne, were tick marks. Dozens of tick marks, thicker where they began, just in front of his feet, until, after a few rows, they became paper thin, intricate looking things. Some even had faint designs carved around them. There had to be at least a hundred now. The first month’s, he had carved himself. The others marked the coming of the mice.

Jeremy wondered how many days they had left, in this, their tiny, humble kingdom. It wasn’t really a kingdom, that much he knew was true. It was a farce. But what would he have done, if the mice hadn’t found him? Who would have brought him food and water, to keep him from dying? Who would help him in the endless search for Ora? The mice knew this place, even changed as it was. He, Jeremy, did not.

Behind him, behind his throne (a carved oaken chair, hung about with trinkets the mice had brought him), there rose a wall. It was Ora’s wall, covered in signs of her that the mice had been lucky enough to find. Queen Ora, their lost goddess. Jeremy kept the wall behind him, because he could hardly bear to look at it and know he might never see her again. He had built her up for the mice, spun exaggerated tales from the air, until they worshipped her, until they were utterly devoted to the cause of finding her. It was she who was their sovereign, Jeremy explained. But he must rule until she was found, and direct the search for her.

The mice brought him a magical mirror that had captured the image of her reflection. They brought him a lock of her curls, clipped from her hair. They brought him one of the earrings she had worn that day, so long ago, when she and Jeremy arrived at the House. They brought him her jacket.

Where did these things come from, with no real sign of his lost love? What had happened to her, that she had cut a piece from her hair? When had she taken off her jacket? Ora always complained of being cold. She used to laugh and say her African blood couldn’t deal with life in Illinois. She used the laugh again, and say her American blood couldn’t deal with a thing about Africa. Then she would sigh, and ask Jeremy if that made her a terrible person. He would run his fingers through those same curls and say, No, God makes us all what we are for a reason.

And what had God made him? A man in ragged clothes the dormice had procured from somewhere, dependant on those same creatures, even as they bowed and called him their Lord, and never realized it. Help me, Father, he prayed silently. This is a desert, and I continue to dry out, one day at a time. But no Almighty word came. The only word to come was the swirling in the painted sky, and now, the flurry of mouse feet entering his throne room.

Jeremy sank into his chair. “Greetings, messengers,” he addressed them, weary. The mice chattered amongst themselves, and scampered to him, over the marks in the floor.

“Your Gracious Eminence, Fraught With Grief Most Holy As You Are, King Jeremy,” babbled the first, with a bow, and subsequent bow from the other three mice. “The Prince Veles expresses his deep sympathies for your Plight, O King, and his sorrow, as he is unable to send aid to Our Most Humble Kingdom at this time.” The little mouse backed away, bumping into his companions. The mouse in the green sash fell over and righted himself with a little mumbling of penance to the Great Lady Ora.

This was as Jeremy had assumed it would be. “At ease,” he bid the mice, with a wave of his hand over their heads. “This is what I anticipated. None of you are to blame.”

“But Sir, Your Majesty Most High, what will we do? We need the help.”

“I know. I have news for you, Pengilley. Your king must undertake a journey.”

The mice all gasped, took up their usual chittering. The leader, Pengilley, stuttered when he asked, “But Sir? Majesty Most High? Why must you leave us now? Your Grace will return, will it not?”

Jeremy nodded. They were like children. If the situation wasn’t so grave, he would have smiled. It seemed his features had been set darkly for some time, now. “I will return, Pengilley. Don’t be afraid of that. It’s a spiritual journey I must endure, to help find the Lady Ora. But I need your word that you’ll manage the hunt while I’m away.”

Pengilley squeaked. “Majesty! Your Most Feared And Yet Most Kind Lordliness! However can I?”

“You know my wishes better than anyone else. You’ll do fine.”

A look of rapt attentiveness came over Pengilley, and then he snapped to attention again, saluting the man in the chair. “I will do my best not to displease you or dishonour the Lady Ora.”

“Good man,” said Jeremy. “I leave tomorrow, at dawn.”

* * *


The mice packed Jeremy a satchel, full of bread and sticky rice, and water bound in flasks that would have lasted many days for a mouse, and perhaps one drink, for a human. Up ahead, on the oil painted ceiling, the sky turned white and impossible, foretelling of snow, while the dormice crowded around their king’s boots, to bid him farewell. Voices squealed, more than a fair share of tears were shed, and Jeremy had to set his features to a grave and steely mask, to keep from betraying the care he had come to feel for these tiny creatures.

He set off into the wilds of the house with no less fear of the unknown than a dark and vicious forest would have garnered in him. The hallways in this wing were spacious, but he couldn’t say how long that might last. Please, he prayed, as the Persian rugs running the length of the floors cushioned his footfall, Lead my feet somewhere, Lord. Somewhere with a meaning.

Jeremy didn’t presume to know what it was the Lord had in mind for him. Ordinarily, he didn’t presume God owed him anything, either, but now…there was a slight, desperate change in his thinking. In the months he’d spent here, as king of the mice, his prayers had gone from frightened, to begging, and now to this. To the feeling that God, for once, owed him something.

His life had been a good one, Jeremy thought, as he passed through a hallway where the walls were hung with baby clothes, affixed to golden wallpaper with rusty nails and fish hooks. He had never hurt a soul, never done anything worse than carelessly break a heart in his younger days. For goodness sake, he didn’t even smoke! And he loved…Oh, he loved. The love Jeremy had felt, that he still felt now, was so all-encompassing, and so good that he couldn’t imagine it not gaining him a few points with Heaven. No one had ever loved a person, the way he loved Ora. Jeremy would have done anything in the world for her. He was still doing anything in the world. Just walking, just putting one foot in front of another, now, was the most, and the hardest, a man could do.

The hallways narrowed. They were hung with blankets, now. Pillowy, soft things with edges of satin ribbon, in pastel colours. Baby blankets. The path became so thin, so spindly, the blankets brushed against him as he walked. Jeremy slung his satchel around to his back, so it wouldn’t catch and ruffle the things too much. The sensation of curtains bothered him. If one of those blankets were to pull back, what would he see?

Beyond the blankets, it was murals of living paint, like his ceiling, back in his throne room. The walls still nearly touched his shoulders, but far and away from him, yellow-gray plateaus of waving grass and running antelopes stretched. Lions bounded after the creatures, trees and bushes cropped up. Africa. And then a village, where all the bodies were women, and all the faces were his Ora, and he imagined he could hear her voice, plain as day, telling him again how she knew she didn’t belong in those wilds.

It was ironic, maybe, that Ora had disappeared. She was a happy woman, but she had always told Jeremy she didn’t belong anywhere. What soil were her roots entrenched in, now? Could it be that she had gone on to some greater place? Could it be that he was foolish to search for her? That he might hurt her, by discovering her? It was evening, by the time these thoughts came into Jeremy’s head. His internal clock had attuned itself to the painted sky, even more accurately than it had once attuned to the real one. Warm winds blew out of the African fields, and he sat down to rest his feet, and eat some of the food the mice had sent with him.

The winds blew, the sun shone, and Jeremy napped. He didn’t mean to, and when he awoke with a start, the plains above him were not only dark, but still. The little antelope had ceased their running, forever caught with the lion’s claw just barely piercing the flesh of their hindquarters. Jeremy shivered. They couldn’t be in much pain, but to be in that pain forever? Until the next time the painting came to life? It was a frightening thought.

Jeremy climbed to his feet and saw the hall had changed. In the direction he came from, the paintings still faded into white folds of blankets, but up ahead, now only a few metres away, the hall ended. A sign pointed left, proclaiming his arrival at the Streets of Yesteryear. There was no need to question it, no need to wonder why he had found his way here. Readjusting his satchel on his shoulders, he followed the sign, and prayed it was the one he had been looking for.

The street looked different now, darker, and Jeremy’s senses spiked to the alert; he thought he heard voices, somewhere down a bend, between the houses. This wasn’t even so much a street anymore, as an entire town. Jeremy looked around him, and up overheard. Living murals didn’t faze him anymore, nor did the strange hangings that covered the hallways, but he couldn’t have imagined a place the size of this. As far as he could see, in every direction but behind him, there was nothing but sooty London streets.

Somewhere in the distance, a clock chimed. Jeremy had the sudden, chilling feeling that it chimed only because he thought the word, “London.” As if his thought had finalized some deal, made the room (if it could be called a room) decide on some final detail. A chilly wind to match the warmth of the African plains siphoned down the dirty black streets. Chimes on a nearby storefront chattered like teeth. The wind ripped at Jeremy’s clothes, yanked a loosely tucked packet of rice from his bag and sent it whipping down the street behind him.

Behind him? Jeremy turned. The hallway was gone. This city, this London, had completely taken over.

The rain came faster than he could have anticipated, boiling out of the sky, with the gusts of wind. The clock chimed its final note: eight. “Damnit,” Jeremy gritted his teeth, the raindrops pelting him with such momentum that they seemed to tear through his clothes. He would be soaked.

Across the street, a light came on in a store window. The sign above the door, rattling and bumping in the wind, declared it a general store and draper’s. Jeremy didn’t give it a second thought; he ran through the viciously growing storm, yanked open the door to the storefront, and slammed his way inside.
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Sample 3rd Person - Harry Potter [Jan. 4th, 2008|04:47 pm]
feat. Ginny Weasley, for a private storyline



If Remus wasn't already having enough trouble concentrating on appearing concentrated, there was a clatter on the back staircase that led into the kitchen, and a female voice exclaiming, "Oh! Damn, I'm sorry!" That was Ginny.

"It's ok. Are you ok?" The answering voice was Harry, grateful no one had seen the girl barrel down the stairs and smack into him. Not for himself, of course. It wasn't embarassing to be run into, but he wouldn't want anyone to think Ginny was being clumsy, and...Well, it was slightly for himself. He wished even Ginny couldn't see him, because he suddenly looked rather nervous, as it dawned on him that his arm was snugly around her waist, preventing her from falling off the bottom step. He let her go and took a step back. There was a mug of tea, hovering half an inch off the floor. Some of the liquid had spilled out, but the mug was intact. Harry bent to pick it up, and when he looked back at Ginny, he felt even more embarassed: she, too, had a nervous flush under her freckles. He felt instantly horrified for having placed himself in such a position that she could embarass herself by smacking into him.

"I'm fine," she said. "I was just...I was hungry, and Mum wouldn't let me get at those biscuits, earlier." She indicated a covered plate on the counter, now left unattended, as most everyone else had gone to bed.

"You weren't hungry," Harry prodded, familiarity returning with a grin, as he set the mug in the sink. Drinking tea didn't seem very interesting, anymore. "You wanted the first go at them."

Ginny, her fist already clutching a wide stack of four biscuits, raised the index finger of her other hand to her lips, and shushed Harry. "Shut up, you're not supposed to know that." She grinned, and took a bite out of the fifth one, shaped like a clover leaf. "But I better get back up there. Hermione thinks I'm in the loo."

"You're going to eat them in the loo?"

Ginny shushed him again. "Don't tell. See you tomorrow?"

"Yeah," said Harry, still grinning. He liked Ginny. He liked that she was a girl, and would still do things like steal sweets and eat them a yard shy of the toilet. Hermione wouldn't do that, and what's more, he knew that even a fellow girl wouldn't be immune to Hermione's looks of thinly veiled disgust and irritation, if she figured out what Ginny was doing.

"Sorry about your tea." Ginny was halfway up the stairs, and halfway through another mouthful of biscuit. Another un-girlish thing about her.

"It's tea," Harry shrugged. "I'll make another."

"Ok," said Ginny. A door creaked, up above. "Gotta go!" She turned and thundered up the staircase as quietly as possible.

Harry had quite forgotten the point of being in the kitchen. Tea no longer seemed very vital to his wellbeing. What seemed preposterously important, was going back up to the room he shared with Ron, and waiting very anxiously for the sound of Ginny returning to her room, so that he could "conveniently" appear in their doorway with Ron, in search of adventure, if Hermione started in on the other girl. Yes, that seemed like quite the right thing to do. They could find Sarah, and go out for a swim, or a romp with the dogs. Ginny rather liked the dogs.

But as Harry was rinsing the dredges of the spilt tea (which had cleaned itself off the kitchen floor) out of the mug, he noticed he wasn't alone. Through the open doorway, he could see Lupin, book on his lap, seated in one of the house's sitting rooms. Oh. He and Ginny must have disturbed the man, and yet he hadn't said anything. But that wasn't like Remus, Harry didn't think. Remus seemed to prefer getting on with his business, in spite of atmospheric noise. It must have been a side effect of living with Sirius, for so long.

Something flared in Harry, quite different from the nerves that had bubbled up when Ginny fell into his arms. (What was that about? It was just Gin.) He became palpably aware of how little he had spoken to Remus, since this visit began. Remus knew he was in the kitchen. If he didn't say hello, he was going to look like he was purposefully ignoring the man. He wasn't. Quite. A part of Harry would very much like to talk to his former professor. When they first met, Remus had been the first person to give him much honest information about what his parents and Sirius were like. Aside from McGonagall, Remus had been one of the first professors to behave as though Harry might actually know something. After all that, Harry knew it would be unfair, not to talk to him.

Setting the mug down on the counter, hands tucked into the front pocket of his sweatshirt, he came into the sitting room. "Remus?" It was still sort of strange, not to call him "Professor Lupin," even after two years. "We didn't mean to disturb you, just now." He paused, just briefly. "How are things?" It occured to him, only after it was out of his mouth, that if his aim was not to disturb, he was doing a bad job of it, by asking questions.
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